The Hidden Problem No One Talks About

The Hidden Problem No One Talks About

Every PMU artist has had that one client, the one whose skin seems to fight you every step of the way. You’re stretching perfectly, your pressure is just right, but the pigment won’t implant consistently. You wipe… and wipe again. The skin feels slick. The color floats instead of settling.

You know it’s oil, but here’s the truth most artists don’t realize:
👉 The problem isn’t just on the surface, it’s underneath.

The Science of Subsurface Oil

When we think of oily skin, we often picture shine, slickness, and visible oil on the surface. But beneath the top layer of the skin, oil is continuously being produced by sebaceous glands.
For many clients, this oil isn’t just present — it’s active, replenishing the skin’s surface even as you tattoo.

That means even if you wipe and degrease before starting, oil is coming back during your procedure.

Subsurface oil creates a thin film that acts like a shield, it prevents:

• Anesthetic absorption (numbing doesn’t take as well)

• Pigment implantation (the color lifts out easily)

• Proper stretch and control (gloves keep slipping)

This is why even seasoned artists feel like they’re “chasing” pigment on oily clients.

Why Traditional Solutions Don’t Work

Artists have been improvising for years. A little alcohol. A swipe of witch hazel. A toner or micellar water. But none of these address subsurface oil, and some actually make the problem worse.

Here’s why:

• Alcohol wipes: Over-dry the skin, triggering even more oil production mid-procedure.

• Witch hazel alone: Too mild to cut through stubborn oil buildup.

• Micellar water: Leaves residue behind that mixes with oil and makes the surface tacky.

The result?
You remove what’s visible but leave the deeper issue untouched. And halfway through the service, you’re fighting the same battle all over again.

The Missing Step: Professional Oil-Control Prep

That’s exactly where D’oil comes in.

D’oil was developed to target both surface and subsurface oil without damaging or drying the skin. It’s the first professional oil-control prep designed for PMU procedures, not a cosmetic remover, not a toner, not a cleanser.

It’s a purpose-built formula that gives you true control over your canvas.

How D’oil Works

D’oil’s unique formula combines gentle degreasers and hydrating agents to balance the skin.
When applied to the treatment area, it works in two steps:

1️⃣ Breaks through the surface oil that causes immediate slippage and poor pigment pickup.
2️⃣ Penetrates shallow subsurface layers to dissolve trapped sebum without stripping the barrier.

The result is a clean, balanced surface that stays stable throughout the procedure, not just for the first 10 minutes.

How to Use D’oil Like a Pro

For Brows & Lips:

• Apply D’oil to a lint-free pad.

• Gently wipe the area before mapping and numbing.

• Allow 30–60 seconds of contact time before removing.

• Proceed with your regular numbing and tattoo steps.

For Eyelids:
Yes, D’oil can be used safely on the eyelids when applied correctly.

• Use a microbrush or lint-free pad.

• Apply gently, avoiding flooding or direct eye contact.

• Let sit for 15–30 seconds.

• Blot clean before applying numbing.

Artists who’ve used D’oil on eyeliner clients report better pigment flow, faster numbing, and far less slipping or smudging.

Extra Artist Tips

🩷 Pre-Mapping Prep:
Apply D’oil before mapping to remove oil and skincare residue that make pencil or string skip across the skin. The difference in crispness is noticeable.

🩷 The Anti-Slip Swipe:
If your hand slips on oily areas like the forehead or temples, use D’oil on a lint-free wipe to gently swipe those areas before working. You’ll immediately feel more grip and control.

🩷 Client Confidence:
D’oil not only makes your job easier — it makes the procedure smoother for the client, reducing excessive wiping and redness. Clients notice when your work feels more precise and consistent.

The Results Speak for Themselves

Artists testing D’oil during its development phase reported remarkable results:

🩷 90% noticed improved pigment retention on oily skin.

🩷 85% experienced better anesthetic absorption.

🩷 95% said glove slippage was significantly reduced.

And clients?
They noticed faster healing, cleaner healed lines, and softer, more even color outcomes.

Why It’s Called D’oil

The name says it all, “D’oil” literally means “De-Oil.”
But it’s also symbolic of what the product represents for artists: a clean slate, a fresh start, and control over one of PMU’s toughest variables.

For the first time, artists have a prep that works with the skin instead of against it.

The Bigger Picture

The PMU industry is full of innovation, new machines, pigments, and needles — but skin prep has been left behind. D’oil fills that missing gap between skin and pigment.

It’s not just about degreasing, it’s about performance.
When the skin is balanced, everything else works better: your anesthetic, your pigment, your stretch, your artistry.

Final Thoughts

Every artist has struggled with oily clients. But now, we finally have a solution made specifically for us, and for them.

D’oil doesn’t just change how you prep; it changes how confidently you work.
Because when the surface is right, everything else falls into place.